Showing posts with label Trujillo. Show all posts
Showing posts with label Trujillo. Show all posts

Saturday, August 09, 2014

A visit to Huaca de la Luna

It was Thursday, August 7th, I woke up feeling a bit startled by a strange dream I had round about dawn, and wondered what it may mean. However, soon those worries disappeared and a different feeling began to grow up in my heart as the time in the morning was passing. Around 11:45 a.m. a taxi was in front of my house waiting for the passengers it would take for a ride at that time.

My mom, my favourite aunt, my sister, my two little twin nieces, and I were very excited for this was not going to be just another ordinary trip, but a journey to the religious centre of the ancient Moche culture: Huaca de la Luna. It is in the Moche valley, 8 kilometers to the south of Trujillo city, in Peru. We arrived after about fifteen minutes, and had to buy tickets. As a person told us, the tickets had to be bought at Museo Huacas de Moche, which is a museum situated a few meters off Huaca de la Luna. So, I had to go there on my own to get the tickets, while my relatives stayed by the entrance to the archaeological complex looking at some souvenirs.

When I finally got the tickets, we had to wait for a tourist guide to come to lead us through the visit. He led us up a sloping and winding road with some steps every few meters to a rear entrance to the Huaca. As soon as we began the guided tour, he told us about the story of the great people called the Moche, who came into existence in the second century AD, and informed us that while Huaca de la Luna was the religious centre of this culture, Huaca del Sol was its political centre. Huaca de La Luna, which was a temple made of adobe bricks, is situated close to a mountain called Cerro Blanco and consists of five levels or storyes that were constructed one above another, being the higher ones smaller than their predecessors and so the final building had the form of a pyramid.


Huaca del Sol
                                
Interior of Huaca de la Luna
                                                        
In one of the lowest storyes there is a great wall with a mural depicting the Moche god, the god of the mountain. It is believed the Moche priests performed human sacrifices in Huaca de la Luna to this god, called Ai Apaec, in order to appease his wrath and thus stop floods and droughts. It is interesting the images of this god on the mural are representations of his head and face only. He is shown with big eyes (supposedly being based on the eyes of an owl), a human nose, and feline teeth. This head is surrounded by wavy figures that, according to the tourist guide, are an octopus’ tentacles.

Mural with Moche god
Moche god, Ai Apaec

In another floor there is a mural where, among other figures, the guide stated a Peruvian dog is depicted, although in my opinion it appears to be a fox for the tail of a Peruvian dog is thinner than the one belonging to the animal depicted on the mural. This unique dog lacks fur and its skin is warm, for this reason it is called perro calato (naked dog) in Peru; these features are very attractive for people who want to have a dog but cannot because they are allergic to animals’ fur. This breed of dog is named Viringo, and was regarded as a sacred animal by the ancient people of the Moche culture. It is said these animals are good for helping ill people to recover, particularly if they suffer from asthma. By the way, in the Huaca de la Luna archaeological complex two Viringo dogs are kept: a male and a female.

Mural depicting a Peruvian dog
Detail of the previous mural showing the Peruvian dog
Female Viringo dog (Peruvian dog)

Several cultures fostered in Peru before the Incas, and among them the Moche culture is one which shows remarkable developments in architecture, ceramics, and metalwork; and continues to thrill and amaze archaeologists and anthropologists all over the world, particularly when studying the religious beliefs and practices of these ancient people. I encourage all the readers of this blog post to come and visit my country, Peru, especially Trujillo city and the Moche valley, where you can still find warm and friendly people, whose ability in ceramics and their delicious cuisine can be traced back to their ancestors, the Moche.

Friday, July 12, 2013

Remembrances of a main square


I have travelled several times across Peru for work reasons, I have been to different cities and towns, gotten to know new people, stayed in rooms other than my bedroom, become accustomed to new climates, and eaten dishes that I had never tasted before. I've been a visitor to these places, not a proper apartment dweller, nor have I been called a tourist who is able to relish the visit to local landmarks; for most of the time I was at work and when I had spare time, apart from hanging out with friends, I would go downtown and would be keen to visit only the main square. Yet there was something missing in the experience; in spite of the sky being different and although in some places the buildings were smaller and in others bigger, they were only a part of the whole, and it did not make any difference whether the square was bigger or smaller, more or less crowded, quiet or loud; it was never the open space where I used to go when I wanted to since I was in high school. None of them compared to the main square of Trujillo.

I was walking down an avenue, along with a girlfriend–I was accompanying her to the bus stop–and carrying a book in my hand, when she asked me where I was going afterwards and I answered I was heading towards downtown to have a time on my own in order for me to think about important issues; those were poetry and art-related matters, my primary concerns at that time. I was sixteen years old, was going to enter my last year in high school, was more idealistic than my peers and found much joy in being in solitude. As soon as I got downtown I used to walk along a street where a bookshop was sited and there I sought literature books although I could only afford a few. Sometimes, after leaving the book store, I would go to the main square for a walk, or just crossed over it to go to the other streets before going home. Soon, this main square turned into my final destination, to where I would stride unconsciously or on purpose. There was something peculiar in it, something that attracted me and made me return several times: I had found it suitable for my need of calmness, peace and quiet, and thenceforth it became a witness to important events in my life.

Since I finished high school it became closer to me, for I used to attend art exhibitions in one gallery in the main square and in others situated on streets off it. Thus, it was closely associated to one of my great fountains of pleasure, with its trees reminding me of the ones I saw in the canvases hung on the walls of the galleries, and its sky always welcoming me even though the grey clouds of winter could appear to some people as though it was an invitation to look for shelter. I appreciated its beauty better in the darkling sky of the evening, when the street lamps drew shades of the cathedral and the statues of the main monument seemed to emerge from its centre, freeing themselves from their stone prison, and come to life leaving behind their shadows cast by the combination of the moonlight and the light of the lamps, watching the people as they passed by, sometimes looking as human as us and projecting an apparent gloominess like that of a loner.

This main square was also the scene of the unveiling of the actual nature of a girl's lies on a dismal day, acted as a friend that would rather unmask the liar than let their confidant believe deceptive tricks, providing me with a shield to defend myself against the temptation to embark upon a perilous journey from steadiness to a moment of madness. However, some years later it was the glade where I smelled the air of a summer's afternoon filled with the scent of the honesty of a lovely foreign woman–who had invited me an ice cream cone bought in a store on a street nearby–while we were seated on one of its benches, talking and laughing, wrapped up in our conversation, until a street trader interrupted us, and then we commented on his impolite way of approaching people.

When I graduated from university I was given my diploma in a Peru's colonial epoch building on one corner of this main square. It had to be present at the moment when I was officially declared a proper potential worker, like parents are at the birth of their children, hoping the best to happen to them, knowing a long road to walk on is expecting them. And as an adult visits their parents on vacation, I often went to this main square the first day off work, and it would greet me with an open and wide sky, a perfect ceiling under which I would feel quite safe while walking on the floor of this large and unusual room, sometimes pretending it is my own room, and then realizing it is also home to other people who have lived their stories there many times but have probably never been aware of this fact.

Nowadays, as I have been idle for a while, I hardly ever visit the main square, for I am taking advantage of this time to read and do some research by myself and to pass more time with relatives and friends; but when the necessity of breathing well arises, I head for the bus stop and within fifteen minutes I am walking down Pizarro street in downtown Trujillo, getting closer to the main square with each heavy footstep, knowing that only the air in there can clean my equilibrium lungs out, and as soon as I get there an absolute certainty of getting relieved fills my chest and an awareness of a strong attachment to it comes to my mind. I wonder whether I will find another intimate, warm, and mind-refreshing place.